The exhibition "Unfolding the Embassy" at Fenaa Alawwal Cultural Centre in Riyadh, curated by Sara Almutlaq, takes visitors on a journey that explores the intersection between art and the future trajectories of 2040 aboard a fictional Space-X satellite.
You can think and think a question, the purpose of waiting, the question of whether there is any purpose, any person meant to appear, but if the person doesn’t come, there is no one and nothing to answer you. It’s dark. You hear a small group of men call to one another in Flemish, see them pass by, their pom-pom heads weighted, a hint of disquieting among them. They’re further away now. Inside Michaël Borremans’s The Constellation – Ten Flemish Actors, 2000.
The Centro Italiano Arte Contemporanea (CIAC) will host a comprehensive retrospective exhibition dedicated to Vettor Pisani
Frieze 91 members were invited to an exclusive, intimate evening exploring the art of designing for the modern collector, featuring renowned interior designer Tatjana von Stein, esteemed curator Piero Tomassoni, and design journalist Roddy Clarke. The event offered a unique opportunity to engage in a dynamic ‘in conversation’ session, shedding light on the evolving relationship between art, design, and interior curation.
The ninth edition of Photo London captivated audiences with an array of exhibitions, talks, and new sections highlighting the innovative and evolving nature of contemporary photography.
Yto Barrada. Bite the Hand is a transformative exhibition of textile works, sculptures, prints, and a mesmerising film installation. Here, Barrada's profound engagement with history, memory, and politics unfolds in a rich tapestry of artistic expression that transcends mere representation
This year’s Venice Biennale not only provided an opportunity to explore the theme of Foreigners Everywhere but also fostered an ecosystem of collateral happenings that enriched the cultural dialogue, some extended beyond the Biennale’s themes while others completely diverted from it.
Diverting from the fantastical Milk of Dreams two years prior, the 60th anniversary of the Venice Biennale, entitled Foreigners Everywhere, presented its audience with a headline that is provocatively rooted in both reality and conceptual play.
Frank Auerbach: The Charcoal Heads, recently unveiled at The Courtauld Gallery, brings together a hauntingly beautiful series of portrait drawings and paintings created by the acclaimed artist during the 1950s and early 1960s in post-war London.
The second Sharjah Triennial of Architecture emerges as a pioneering platform in the Middle East, North Africa, and Asia, showcasing groundbreaking perspectives on urbanism and architecture.