Gwen is a curator and an art writer based in Manila, Philippines. She is an alumna of Para Site’s Workshops for Emerging Arts Professionals in Hong Kong and a fellow of the EDI Global platform organised by Fondazione Morra Greco in Naples. She was a finalist at the Ateneo Art Awards, Purita Kalaw-Ledesma Prizes in Art Criticism (2019) and is the director of the Manila-based contemporary art space MONO8. Gwen has curated “Under construction. Manila Today'' (2018) for Artvisor in London.
Previously the Managing Director of an asset management firm, now works at a multi-family office in Switzerland. Marco has 12 years of experience in private wealth advisory and assists clients with the management of their assets, including alternative investments.
Nico is an art historian and art advisor. He is heavily involved in the online space for contemporary art having previously directed a successful online gallery since its inception. He is a frequent lecturer on contemporary art at Christie’s Education in London where he designed the course, The Art Market Online: An Essential Guide. He also acts as one of two art advisors for the Frieze art fair franchise, organising bespoke tours for their VIP clients.
Piero founded Artvisor in 2015. He has curated and produced over forty group and solo exhibitions with leading contemporary artists, regularly gives lectures at universities and institutions, and has authored and contributed to several publications. He is a trustee and a member of the board of multiple art foundations and artist estates. He acts as sector expert on art and culture for leading consulting firms, and as advisor to major families and corporate entities globally. His research focuses on historic and current conceptual and performative practices, as well as on areas of intersection between art and architecture, theatre, and literature. His work is part of a broader inquiry into themes relating to the effects of the acceleration of time in modern societies, the ontology and sociology of art, and the nature of different methods of cultural production. He holds degrees in Philosophy & Economics and Law, and has previously practiced as a lawyer in London.
