The Centro Italiano Arte Contemporanea (CIAC) in Foligno hosted a conversation between Artvisor founder Piero Tomassoni and artist Gian Maria Tosatti last month. Together, they examined today’s relationship between art and the city. The event was held in conjunction with Tosatti’s site-specific solo installation at CIAC Spazio #09 – Mi Ricordo and his Italian Pavilion...
Our team went around New York in May and picked out some highlights from a great exhibition season Chosen Memories. The Patricia Cisneros Collection at MoMA Installation view of Chosen Memories: Contemporary Latin American Art from the Patricia Phelps de Cisneros Gift and Beyond, The Museum of Modern Art, New York. Photo: Jonathan Dorado...
“Walls, sculptures and drawings can talk and tell stories, they can echo.” – David Tremlett “There is something very odd, even unnerving about cutting through a photograph. It sometimes feels like I am cutting through flesh.” – John Stezaker We are pleased to announce a two-person exhibition of leading British artists John Stezaker and David Tremlett curated by...
Vanessa Jackson in conversation about her multi-decade career as painter, educator, and staple of the London art scene.
Geometry, the site of form and function, may resist its innate rules to offer a sense of liberation, allowing elaboration, ornamentation and re-engagement with the curve, without gesture’s touch. The breadth of geometry, crossing all boundaries and civilisations, can embrace illusion with decorative connotations but may equally demand severity. I have no need for invention....
A conversation with Jim Hedges and Piero Tomassoni around Artvisor's exhibition featuring some of Warhol's iconic polaroid and silver gelatin prints.
In the 'Who is that?' Podcast, created by podcast production studio Storm and creative anonymous social network Anon, Artvisor's Nico Epstein focused on the anonymity of digital artists to shed light on the pros and cons of anonymity and how e-commerce and digital marketing change the art landscape.
Drag queens - people, usually men, who use dress and makeup to imitate and exaggerate female gender signifiers for entertainment - were of great fascination to Andy Warhol, who explored the figure through varying mediums, including the silkscreen, photography and performance.
In his early 20s, Andy Warhol began wearing a wig. At first, it was to disguise his hair loss. However, as the years went on, the unique silver wig contributed to his avant-garde mystery, and the wig, a means of concealment, became a recognisable feature of the public figure of the artist.
Artvisor are pleased to present Andy Warhol Photographs 1970 - 1986, viewable by appointment at our London location.