Giulio Paolini. A come Accademia at Palazzo Carpegna, Rome The Accademia Nazionale di San Luca in Rome presents Giulio Paolini. A come Accademia. Conceived by Marco Tirelli and curated by Antonella Soldaini, the exhibition features six unpublished works specifically created for Palazzo Carpegna. The artist’s thought-provoking conceptual works combine diverse media – painting, photography, and...
Selected Paintings, Actions, Relics, and Musical Scores, 1965–2020 On 16 March 2023, Pace Gallery New York will open a retrospective of the Viennese artist Hermann Nitsch (1938-2022). The exhibition, entitled Hermann Nitsch – Selected Paintings, Actions, Relics, and Musical Scores, 1965–2020 is a celebration of the artist’s contributions to the avant-garde and a testament to...
Vanessa Jackson in conversation about her multi-decade career as painter, educator, and staple of the London art scene.
With the opening of the inaugural edition of ART SG at the Marina Bay Sands, Singapore has established itself as a global art hub by bringing together galleries, artists, and institutions from all over the world. ART SG is part of the 11th edition of Singapore Art Week (SAW), where over 130 events were presented...
Geometry, the site of form and function, may resist its innate rules to offer a sense of liberation, allowing elaboration, ornamentation and re-engagement with the curve, without gesture’s touch. The breadth of geometry, crossing all boundaries and civilisations, can embrace illusion with decorative connotations but may equally demand severity. I have no need for invention....
A conversation with Jim Hedges and Piero Tomassoni around Artvisor's exhibition featuring some of Warhol's iconic polaroid and silver gelatin prints.
Drag queens - people, usually men, who use dress and makeup to imitate and exaggerate female gender signifiers for entertainment - were of great fascination to Andy Warhol, who explored the figure through varying mediums, including the silkscreen, photography and performance.
In his early 20s, Andy Warhol began wearing a wig. At first, it was to disguise his hair loss. However, as the years went on, the unique silver wig contributed to his avant-garde mystery, and the wig, a means of concealment, became a recognisable feature of the public figure of the artist.
An exhibition at Garage Museum of Contemporary Art in Moscow titled Spirit Labor: Duration, Difficulty, and Affect shows the work of thirty artists of varying generations from Southeast and Central Asia, the Caucasus, and Eastern and Western Europe.