Artvisor is thrilled to announce Paul Huxley. An Anthology at Cardi Gallery, London, 15 October – 29 November. Curated by Piero Tomassoni, the exhibition surveys six decades of the artist’s practice, tracing the evolution of a language that bridges geometry, colour, and spatial rhythm. A central figure among the ‘New Generation’ of British artists who emerged in the early 1960s, Huxley has devoted his career to exploring the possibilities of geometric abstraction as both a formal language and a field of intellectual discovery. Operating in a postmodernist tradition, his paintings challenge and expand on the legacy of early twentieth-century abstraction by...

This year’s landmark 20th-anniversary edition of Contemporary Istanbul (September 23–28, 2025), held within the atmospheric shipyard complex of Tersane, was marked by a sustained institutional confidence and the lively cross-pollinations of an increasingly globalised market. Artvisor was proud to play an active role in this edition: our team delivered a bespoke advisory and tours programme for collectors; our founder, Piero Tomassoni, moderated a high-profile panel within the Contemporary Istanbul Foundation Dialogues; and Artvisor co-hosted an exclusive dinner with The Art Newspaper at the Mandarin Oriental Bosphorus. .    Coinciding with the Istanbul Biennial, the fair attracted an even larger and...

Marking the start of New York’s autumn season, The Armory Show and Independent once again positioned the city at the centre of the international art calendar. Artvisor highlights both canonical 20th-century figures with bold contemporary practices. The Armory Show Highlights  Held at the Javits Center, the show featured a broad spectrum of galleries from around the world, alongside curated sections and public programming that reflected New York’s lasting importance as an international centre for contemporary art. Named in homage to the legendary 1913 Armory Show, which first introduced European modernism to an American audience—the fair has grown into one of...

Artvisor highlights a range of art practices and shows surrounding this year’s Art Athina. Marking its 30th anniversary, the fair took place at the former Fix Factory in Athens, reaffirming its role as one of Europe’s longstanding contemporary art fairs. Bringing together leading Greek and international galleries, the fair highlighted a diverse programme of curated exhibitions, performances, and talks. This edition reflected Athens’s importance as a cultural hub in the Mediterranean, with satellite events across the city and collaborations with major institutions including the National Museum of Contemporary Art (EMST). The Onassis Foundation staged a dynamic presentation. Manousos Manousakis’s Cosmologies unfolded in...

Piero Tomassoni and Dima Srouji participated in the 6th Kochi-Muziris Biennale, curated by Nikhil Chopra with HH Art Spaces. For this edition, titled For the time being, they were invited to conceive two collaborative spatial installations: an outdoor project for the historic Aspinwall House, and an indoor site-specific one for the KVJ Rice Godown, a heritage building repurposed for the first time as an exhibition venue. At Aspinwall they presented a continuation of the series Time Reclaiming Structures, inaugurated in project form at that year’s Venice Architecture Biennale. In this iteration they experimented with small-scale architecture through several ‘watchhouses’ installed in the...

Artvisor and Bianca Arte are pleased to present The Marvellous, a solo exhibition of Hormazd Narielwalla at Buccellati’s Mayfair private rooms from 14 October to 14 November 2025. The practice of Hormazd Narielwalla (b.1979, India) works by invocation rather than illustration. Initially trained in Fashion Design before obtaining his PhD in Fine Art, Narielwalla builds patterns and figures from historical sewing templates: sleeves fold into laps, joined panels imply seats, and the voids between cut pieces trace an absent body. Rooted in an interest in identity and cross-cultural aesthetics, his work treats these fragments as repositories of personal and collective...