Journal

On 12 May, from 7–9pm, Piero Tomassoni joins Founder and Editor of YES & NO Magazine Cassius Matthias for a conversation at the Embassy of Austria Washington DC. Together, they will explore the enduring impact of postwar and avant-garde Austrian artists and filmmakers on the development of American visual culture. Drawing from YES & NO Kino+Film Austria, including Opus One and Opus Two—featuring essay contributions by Tomassoni and leading voices in the field—the discussion traces a transatlantic dialogue that has shaped both experimental cinema and contemporary art. From the radical gestures of postwar Vienna to the emergence of the U.S....

A major survey of Barry X Ball, will be presented at the historic Basilica di San Giorgio Maggiore in Venice, opening on 9 May and coinciding with the opening of the 61st International Art Exhibition of the Venice Biennale. Titled The Shape of Time and curated by Bob Nickas, the exhibition will feature 23 artworks, with most of these works being shown to the public for the first time. The exhibition will highlight sculptures from five distinct series, each installed in carefully selected locations within the basilica, activating the space through a dialogue between past and present. Situated on the...

We recently spoke with Sky TG24 from the London Book Fair, in a series of conversations organised by the Il Libro Possibile festival and the Italian Cultural Institute London. The discussion centred on the importance of literature and culture in maintaining a healthy, open-minded society, and the dangers of dropping literacy rates in the global political climate. Watch the interview on our Youtube channel.

A new exhibition, 1975+27, dedicated to Gino de Dominicis will open on 13 March at Sant’Andrea de Scaphis, the historic 9th-century church in Rome transformed into an exhibition space by gallerist Gavin Brown. Curated by Luca Lo Pinto, the exhibition revisits 1975+27, the work de Dominicis presented on 31 January 1975 during 24 ore su 24, the week-long exhibition conceived by Fabio Sargentini at Galleria L’Attico. The project brought together thirteen artists, including Alighiero Boetti, Jannis Kounellis, and Vettor Pisani, each invited to realise a time-based, ephemeral intervention scheduled at a precise hour over the course of the exhibition. Closing...

Cyrus Mahboubian‘s first solo exhibition Reflections will open at The Paddocks Gallery in Volos, Greece on 14 March. Developed during a residency in the region, the works draw on daily walks through the landscape at the foothills of Mount Pelion, and will be shown alongside recent photographic composites made in England and the Scottish Highlands. Bringing these geographies into dialogue, the exhibition seeks to reflect Mahboubian’s slow, process-driven approach, where walking, observation and image-making converge into a continuous visual language. Curated by Lida Koutromanou, the exhibition will be accompanied by a special limited-edition publication of only 30 copies. Reflections follows...

We are delighted to announce Anni Luce, a new exhibition by Marco Tirelli opening at the Palazzo delle Esposizioni, curated by Mario Codognato. The solo marks the latest chapter in the artist’s long and rigorous investigation into the metaphysics of image and form. Conceived specifically for the museum’s sequence of galleries, the presentation unfolds as a single installation composed of forty-two paintings, forming what the artist describes as a continuous visual cycle. Anni Luce will open on 17 March at Palazzo delle Esposizioni, coinciding with the inauguration that same night of a major exhibition dedicated to Mario Schifano, also on view until July. The exhibition forms part of the institution’s...

Gino de Dominicis’ exhibition Faith No More. Rituals for Uncertain Times recently concluded at Abby Korkrijt, a new museum of visual arts in Belgium. Co-curated by South African artist Kendell Geers, the exhibition presented work by Gino de Dominicis, Hermann Nitsch, and Joseph Beuys alongside 60 other major artists from the Renaissance to today.  Faith No More. Rituals for Uncertain Times24 October 2025 – 1 March 2026Abby Korkrijt, Begijnhofpark8500 Kortrijk, Belgium Gino de Dominicis was also featured in the group exhibition Observatory. Artists Looking at Space at Luxembourg+Co, New York. The exhibition explored how art seeks to capture the image, experience, and symbolism of outer space, and follows the artist’s recent inclusion in Aeronauts Aimed for Altitude,...

The 18th Quadriennale d’Arte di Roma, Fantastica, has recently concluded at the Palazzo delle Esposizioni last month. With a curatorial team including Luca Massimo Barbero and Francesco Bonami, Fantastica brought together 54 contemporary Italian artists featuring 187 works to celebrate the imaginative and symbolic power of Italian art over the past 25 years. In the section The Time of Images. Images Out of Control?, Emanuela Mazzonis explored the evolution of photography as a medium for revelation, through important works by Francesco Jodice, who presented his film Rivoluzioni (2019), and Giovanni Ozzola, with an impressive site-specific installation echoing the ceilings of early-Renaissance Italian frescoes. Their work reflected the vision of the late Luca Beatrice, former president of the Quadriennale Foundation, whose curatorial insight inspired this edition’s...

Piero Tomassoni and Dima Srouji participated in the 6th Kochi-Muziris Biennale, curated by Nikhil Chopra with HH Art Spaces. For this edition, titled For the time being, they were invited to conceive two collaborative spatial installations: an outdoor project for the historic Aspinwall House, and an indoor site-specific one for the KVJ Rice Godown, a heritage building repurposed for the first time as an exhibition venue. At Aspinwall they presented a continuation of the series Time Reclaiming Structures, inaugurated in project form at that year’s Venice Architecture Biennale. In this iteration they experimented with small-scale architecture through several ‘watchhouses’ installed in the...

Last month we had the pleasure of inaugurating YARD, a large room within The Long Now. Saatchi Gallery at 40, the institution’s 40th anniversary exhibition.  YARD is curated by Philippa Adams and Piero Tomassoni around the eponymous installation by American artist Allan Kaprow, placed in dialogue with monumental works by major British artists Conrad Shawcross and Christopher Le Brun. Originally conceived in 1961 in New York, Kaprow’s Yard is a seminal moment in the history of contemporary art and a turning point in the field of spatial and participatory practices. Since then, the work has been exhibited and reinvented numerous...

Artvisor is thrilled to announce Paul Huxley. An Anthology at Cardi Gallery, London, 15 October – 29 November. Curated by Piero Tomassoni, the exhibition surveys six decades of the artist’s practice, tracing the evolution of a language that bridges geometry, colour, and spatial rhythm. A central figure among the ‘New Generation’ of British artists who emerged in the early 1960s, Huxley has devoted his career to exploring the possibilities of geometric abstraction as both a formal language and a field of intellectual discovery. Operating in a postmodernist tradition, his paintings challenge and expand on the legacy of early twentieth-century abstraction by...

Artvisor and Bianca Arte are pleased to present The Marvellous, a solo exhibition of Hormazd Narielwalla at Buccellati’s Mayfair private rooms from 14 October to 14 November 2025. The practice of Hormazd Narielwalla (b.1979, India) works by invocation rather than illustration. Initially trained in Fashion Design before obtaining his PhD in Fine Art, Narielwalla builds patterns and figures from historical sewing templates: sleeves fold into laps, joined panels imply seats, and the voids between cut pieces trace an absent body. Rooted in an interest in identity and cross-cultural aesthetics, his work treats these fragments as repositories of personal and collective...