Stefano di Stasio (b. 1948, Italy) is an artist whose work represents a shift away from the abstraction, minimalism and reductionism that characterised much of twentieth-century Modernism. He advocates for a return to figurative, narrative painting: a depiction of subjects and stories. Di Stasio is one of the principal figures who called for re-evaluating the medium in the seventies and the eighties. He longed for images and figures to resuscitate and recalibrate painting in the modern day. His inspirations vary from Giorgio de Chirico and Surrealism to Raphael and portraiture to metaphysics and magical realism. There is an enchanting sense of mystery, strangeness and intrigue that pervades his canvases as objects lose their practical function and are placed in incongruous settings. The familiar meets the unfamiliar in the work of Di Stasio, who believes that creating an image is independent of one’s own conscience. According to the artist, the image appears before rational cognitive processes occur, rendering art an intuitive activity.

Di Stasio studied at the l’Accademia di Belle Arti in Naples. He was one of the founders of La Stanza, an experimental art space in Rome operating from 1977 to 1978. He exhibited at the Venice Biennale in 1984 and 2011. From 2001 to 2004, he performed a pictorial cycle on Franciscan stories for the church of Santa Maria della Pace in Terni. Di Stasio has participated in the Rome Quadriennale four times and several institutional exhibitions. From 2004 to 2005, on behalf of the Senate of the Italian Republic, he painted the portrait of Amintore Fanfani for the permanent collection in Palazzo Madama in Rome.

Di Stasio creates a dialogue between styles, motifs and influences from history and the modern-day to create alluring, perplexing paintings. He now lives and works between Rome and Spoleto.