Piero Tomassoni on Ridley Scott’s House of Gucci
Our founder's review of the bombastic biopic House of Gucci
Cyrus Mahboubian at Gypsum Gallery, Cairo
Cyrus Mahboubian is part of the ongoing exhibition, The Cheating Hand of Randomness, opening today at the Gypsum Gallery in Cairo.
BIC announces production of “Stampone Blue”
A new colour has been dedicated to the artist Giuseppe Stampone who joins Yves Klein as part of an elite group of artists who have colours named after them
Another One Bites the Dust: FIAC Ousted from Grand Palais in Paris
In a surprising move, the Réunion des Musées Nationaux - Grand Palais has just announced that the MCH Group (Art Basel) will replace RX France (Fiac) as the organiser of the international art fair traditionally taking place in Paris' Grand Palais every October
Henri Chopin at The Gallery, De Montfort University, Leicester
This past weekend marked the closing of a vast survey exhibition on the work of Henri Chopin (1922, Paris – 2008, Norfolk) humorously titled The (Almost) Complete Books, Zines and Multiples (1957 - 2007) The Gallery, De Montford University, Leicester.
Giuseppe Stampone to represent Cuba at the 59th Venice Biennale
The Cuban Pavilion at the 59th Venice Biennale feature Giuseppe Stampone alongside Kcho and Rafael Villares.
Ephemeral Art and the Importance of Collecting It
Collecting the ephemera of artworks that were not made to physically exist involves a different mode of collecting, one that comes close to archiving.
Spirit Labour: Duration, Difficulty, and Affect at Garage, Moscow
An exhibition at Garage Museum of Contemporary Art in Moscow titled Spirit Labor: Duration, Difficulty, and Affect shows the work of thirty artists of varying generations from Southeast and Central Asia, the Caucasus, and Eastern and Western Europe.
The Artvisor Guide to Digital Art: New Directions
In 1974, Nam June Paik, a pioneer in video and digital art, coined the term ‘electronic superhighway’ to describe the endless stream of information that technology could make easily accessible. He had, in essence, predicted the Internet two decades before its genesis and the limitless possibilities it offered society and art.